Almost four years ago, around the time my kids moved out and my first two books were released, my life upended itself. I won’t go into detail about everything that happened (well, maybe I will in the memoir I’m writing), but so much of who I thought I was fell away. Some of it fell away whether I liked it or not. Some of it went because I chose to let it go.
One of the things that went the way of the dinosaur was my house. “Who the hell am I really?” I asked myself. “I mean without all the trappings and labels that come with a normal home and existence?” More rapidly than I would have liked, the universe set about answering my earnest question. A series of brutally serendipitous events pushed me to give up my permanent residence, and filled with terror, I started to travel full time, thinking I’d embrace the itinerant lifestyle for about a year.
I have since lived in the South of France for a bit, taught creative writing in Sicily, performed in Mexico, and done all of those things just about everywhere in the U.S. I’ve just accepted an offer to do a stint teaching for the Rosemont College MFA program in Morocco. (Yayyyy!!!) I’ve lost relationships that needed losing, repaired loves that needed repairing, and found a slew of new friends who are wise, generous, brilliant, and all kinds of bad ass. I’ve yet to give up traveling completely, but the trek I’ve been on has been beautiful, horrifying, and utterly guided. It has served to peel away my layers of bullshit and unearth a version of me that feels more authentic, powerful, and honest than anything I’ve ever allowed myself to be.
Before I gave up my house, I’d been following a rock band for almost 20 years, and I had all kinds of clothes I dubbed my “groupie clothes.” The time I spent following that band changed me forever. In fact, it ignited the genesis that made me into a woman who would dare sell books, throw away houses, wander the world alone.
But suddenly, I was a groupie-no-more. I was teaching writing at universities and conferences and reading my work in front of audiences. Believing, as most of us do, that the real me was completely inadequate, I decided the best thing to do was stuff my real self in a box and pretend to be “professional.” (I know. This behavior was diametrically opposed to the question that made me set out on my quest in the first place. I never claimed to be a logical being.) I put all my groupie clothes in storage, bought a bunch of grown up stuff, and set about trying to be Margaret Atwood. (I’m just gonna go ahead and say I look really weird in khaki pants.)
And then, as the travel started working its magic of revealing my truest soul, and I simultaneously became more and more comfortable in front of audiences, I realized my classes and events were way better when I was just me—good ol’ earnest, probably gonna trip and fall, definitely gonna cry at least once and drop the f-bomb twice, more likely to reference Springsteen than Bukowski, can we talk about how love will save the world Tawni. When I let that girl out of the box, I was shocked to find how enthusiastically people embraced her. Who knew?
A few weeks before I came to Philadelphia to teach at the Rosemont College MFA retreat, I took my groupie clothes out of storage. As I packed for the trip, I threw some of the clothes in my suitcase, thinking I might where them to social events–say maybe to drink at pubs with other writers. Today, as I was dressing to conduct a series of manuscript consultations, a favorite shirt fell out of my bag. (I first wore this shirt to a CD release party in 2004, after which I followed the band everywhere they went on tour. It was a huge part of my artistic/spiritual genesis. I wrote much of Beauty of the Broken on that tour.) As I stared at that ball of flimsy blue fabric lying on the floor, memories of my groupie years–some of the headiest years of my life–washed over me. In an admittedly characteristic act of impetuousness, I decided to bring groupie Tawni out to play with writer Tawni. I paired my rock-n-roll shirt with a semi-grown-up black skirt (as opposed to the thigh high boots I paired it with way back when). I was kinda worried it would make people think I was trashy, but I don’t know if I’ve ever gotten more compliments on an outfit. And for the first time since I sold my books—maybe for the first time ever–I felt like I was wholly me.
Today, rock-n-roll Tawni and writer Tawni merged. I kinda think this outfit is a metaphorical answer to the question I asked four years ago.
I have ascended
come to the place
where every molecule is infused with light
I can see the future and the past and the present
Krishna’s blue shines here.
There is no fear.
on the mountain of perfect love.
I scaled the gates of hell to find
my soul’s true home
tangled with screaming demons
wrestled with death itself
while ahead of me
the Christ walked
Follow me home. Follow me home.
As I climbed
I lost everyone and everything
I thought I knew and owned
because everyone and everything
I thought I knew and owned
were links in the chains
binding me to hell’s gates
I cannot show the way.
I can only point to the door.
Look into your heart.
Meet your Christ
and your demons.
Dispatch them one at a time.
Climb Climb Climb
The road to heaven is not just narrow.
It is steep
and strewn about with terror and grief.
The road to heaven passes through hell
because to get to paradise
you must conquer
the hell within your bones.
To find your true self
you must kill the false self.
you must die.
I do not fear death.
I have died.
I do not fear this life.
It is an illusion.
Perfect peace is true reality.
Today, my hatred melted in the blaze of breaking dawn.
I pity those who stole from me along the way
strapped links from my chains
around their necks
strutted in their newborn diamond studded collars
while around them
the specter of death closed in
for them reality
because they believed
as I once had.
Your mind is your prison.
To escape it
you must break it.
I cannot show you the path
only the door.
Look into your heart.
Find the Christ
whose voice is a whispered
There must be something more.
one agonizing beautiful step at a time
Your soul knows the way home.
It is harder than anything you have ever imagined
and worth it.
to find your
The Christ said,
Many are called But few are chosen
Many are called But few choose
Because the way is horror.
It is not a formula for manifesting
a trip to Tahiti
It is not a religion.
a free ticket to the sweet by and by.
It is a wretched road to salvation
in the here and now
that will cost you everything.
It is a path through your own insanity
It is a lifetimes long trip to heaven
via the hell the that lives in your head.
Most see the door and say,
The price is too high.
Better to decorate my hellscape
and call it home.
A house here.
A new car there.
Another bout with bondage masquerading as love.
How about a fancy job?
How about a soothing church?
How about a seat in the cool kid’s club?
Hell drives a hard bargain.
If you can be bought at any price
you will be.
Those I have lost along the way,
I want you to come with me.
Hear my voice now.
Open the door.
Climb Climb Climb
Beloved brothers and sisters
I cannot fuck you
or give you the fleeting solace
you think you want from me.
To do so would be to
descend again into hell.
I can never go back,
but I can give you this
My map to the door.
Last night, I had writer’s block, so I decided that I would write a poem about the first post that appeared in my newsfeed on Facebook. The lucky winner was an odd, lovely post by my friend, David Dinner, puzzling over strange, gelatinous creatures he’d seen on the beach that day (see above). I kept my promise to me. I think the poem ended up being about mermaids and promises and love. Among other things. Who knew gelatinous creatures could be so inspiring? Unicorns, you’ve met your match.
About a week ago, I stopped eating sugar, flour, and processed foods. The day after I started the cleanse, I was a wreck. I felt like I had a really shitty flu. That lasted for a couple of days, and then, I started to feel stronger, clearer, more centered and energetic and whole. Shockingly, I started sleeping. (I have been an insomniac my whole life.)
I woke up this morning and had a cantaloupe and berries for breakfast. I was stunned at how amazing those things tasted. It was as if someone had woken up my taste buds, after a decades long sleep. It was as if I were borrowing someone else’s mouth. Now that I am not constantly saturating my body with fake food full of quantities of sugar and fat and salt that never occur naturally in the physical world, my taste buds are returning to their natural state. It had been so long since I’d tasted food like that. Really tasted it.
It got me thinking about the ways in which we live in our modern world. Greedy corporations have studied the human body and mind, with the intent of saturating us with all the things that we are hardwired to want. We are hardwired to want fat and carbs and sugar because they occur so rarely in nature. For most of human history, stumbling upon any of these things would be like winning the nutritional lottery. Our bodies could use the jolt of energy they got from these rare finds to keep themselves running for a long time.
So corporate America used our biology against us, pumped us full of manufactured shit designed to trigger those centers in our brains that said, “Yes, you just won the nutritional lottery! Eat more!” We won the nutritional lottery every second of every day, only these manufactured things we were driven to eat had none of the positive qualities of fatty, sugary, carb-y foods that occur in nature. Corporations didn’t care about actual nutrition. They cared about stimulating ancient centers in our brains so that we would buy more, more, more. If we died as a result of their tinkering, so be it. And we got sick, and fat, and half-dead, walking around our mazes like lab rats, pushing buttons to get more, more, more.
We are hardwired to get a dopamine jolt from connecting from other human beings, so now, we can get constant likes on social media. Another like. Please. Another like. We can’t connect to real human beings when they are in front of us because we are watching our phones, waiting for that dopamine hit.
We are hardwired to want sex, because our souls need to connect, and our bodies need to reproduce. So we have all the increasingly bizarre porn we could ever want at our fingertips, 24/7. More, more, more. Give us more. No true intimacy, mind you. No human connection. Just a dopamine hit. Just a drug. Never mind that this 24/7 sexual smorgasborg never could have occurred in nature, and it is probably doing terrible, destructive things to your natural human brain. No matter that your erotic senses shut down, the way my taste buds did. No matter that when you have an actual living being in front of you, it does little for your overstimulated brain, who never in all of history could have seen so many naked people doing so many intimate things and now isn’t particularly impressed with one naked person who wants to love.
We are hardwired to love stories, the connection we felt sitting around the campfire, sharing our insights, our myths, our lives. So now, we can Netflix binge on stories 24/7 if we want. Increasingly brutal and hyper-sexualized stories, because like my taste buds lost their ability to discern the taste of cantaloupe, our brains need increasingly intense and bizarre stimulation to produce the rushes we used to get from hearing simple stories.
We are constantly stimulated and placated and saturated. But something is missing from all of this. Humanity. I don’t know if I am just a hypersensitive person, but I came to a place where I felt like if I didn’t find actual meaning, actual love, actual connection, actual self, I was going to die. That was when I started living on the road, letting go of possessions, socially constructed ways of being that had nothing to do with who I really was, lies I had told myself about myself.
It took me so long to sift through the lies to find truth. As I was traveling, I came to realize that so much of what I was doing had nothing to do with me, my humanity, what I was really created to be. The way I was eating, the way I was drinking, the way I was handling my sexuality, the way I was handling my social life, the entire way I was living had more to do with me being some kind of a lab rat pressing a button again and again, wanting another rush, another fix, than it did with being authentically human, authentically connecting to my world, my life, my heart, other human beings, other non-human beings.
People always ask me where I’ve been, why I don’t go out anymore, why I’m not as much fun as I used to be. The answer is, I’m learning to be human again. I’m learning to exist in the reality around me instead of my head, or worse, in the constant stimulation provided by the modern media machine. I’m treating my body like the temple it is. Not as some act of repression, but as an act of pure self-love.
I rarely drink anymore. When I do, I do it mindfully. How about one glass of wine you really taste instead of ten you throw up the next day?
I work out daily, and the whole time I do it, I tell myself, “I’m giving you this time as an act of love. I love you enough to honor you.”
I’ve stopped taking all medications, not because I “should,” but because I don’t need it anymore. I don’t need anti-anxiety meds. I don’t need anti-depressants. I don’t need pain medications. My body and mind (they are irreversibly and gloriously intertwined—don’t let anyone tell you differently) are really and truly healing.
I’ve stopped having sex because the way I was handling sex and relationships was incredibly destructive. I stopped taking unhealthy, empty sex into my being the same way I stopped taking bad food. I want the real thing. I want love, and the miraculous, delicious, life-altering sexual connection that grows from that. Someday, I want to experience sex with the person I love with all my taste buds woken up, because I’ve stopped saturating them in mass produced, meaningless shit. And until then, I am experiencing the connection I was looking for (and never found) in sex everywhere. I feel truly connected to myself, to my life, to nature, to my loved ones.
More and more, I make quiet time for myself, despite the fact that technology is always, always clutching at us. At first, when I went to sit alone in the woods with no media devices, no music, no ability to connect to anything but the world around me, I felt panicky, like I should do something else. Wasn’t there a to-do list that needed checking off? Wasn’t there a message I needed to reply to? Weren’t my friends posting interesting things on Facebook? Wasn’t I hungry? Didn’t I need a drink? But as I sat with myself night after night, that passed.
Now I love the hours I spend each night sitting alone in the woods, looking up at the stars. I can sit there all night and never get bored, listening to the voice of the wind, watching the intricate branches wave overhead, feeling the connectedness of all things. It is more of a rush than any manufactured stimulation I ever experienced.
And even though they aren’t physically with me, or hitting me up on Facebook, or texting me, I connect, truly connect, to the hearts of those I love, and they feel more present with me than they do when we are messaging each other, or texting, or liking each other’s Facebook updates. I am learning that love is a force that doesn’t need constant physical reinforcement. That love exists even in the moments we are separate from our beloveds. That we were all connected 24/7 long before social media came along. The more time I take to just be present in what is, the more whole, human, and truly centered/peaceful I feel.
Yesterday, an entire herd of deer came to visit us here on our mountain. My mom called for me, and when I came running, she pointed to the cluster of deer outside the window, snacking on trees. We stood in awe, staring, not believing the miracle of them. Afterward, I walked over to my brother’s, and impossibly, a buck was standing outside his door. When I went to sit on the rock I have claimed as “mine,” (where I meditate as often as I can), there was a deer standing near it, watching for me, seemingly waiting for and welcoming me.
These deer. These beautiful, miraculous deer. Where did they come from? How did I get so lucky? Watching them be, and then watching the sun set over the mountain that was my first home, and then looking up at the bowl of stars overhead, I said, out loud, “I am the richest woman in the world.” They mean more to me than any party, any sex, any number of likes on Facebook, even any publishing contract, ever did. I wonder if they would have five years ago. I wonder if I would have been too busy looking for my next social fix, my next “romance” (I use that term loosely), my next dopamine hit, to be awestruck by a bunch of deer. I wonder if all of me is waking up, the way my taste buds seemed to have woken up this morning. I wonder if the whole world is a pile of cantaloupe and berries, and I was too busy drowning myself in Cheese Puffs to even notice it existed at all.
I teach my students to choose their details carefully. Don’t write everything, I instruct them. Give readers a few telling details, which they can use to construct the whole in their imaginations. But I cannot verbally reproduce the parts of you that would make it possible for anyone to construct the whole in all its glory. Three parts lightning, three parts blue jeans, four parts God. Is that what I should write? Should I say something about the fire in your eyes, or is that cliché? That is really the telling detail, if ever there was one. But to paint it, I’d need actual matches, maybe some lighter fluid. And even when you were there in person, no one seemed to notice the flames but me.
Are they blind?
Should I mention the dent in your throat?
I teach too about load bearing scenes. Make the moments that matter matter, I tell them. Give them space on the page. If they aren’t strong enough, the whole house will collapse. But how do I write that my entire life hangs on one split second, when I first saw you standing under a night reeling with stars, and my molecules reconfigured themselves? In an instant, every cell in my body flew to you, the way metal filings fling themselves at a magnet. How do I tell them that you are gone, and I have been collapsing ever since? How do I say that I am a walking black hole?
And here I am, defying the laws of physics while mixing architecture and science metaphors.
Should I even be allowed to teach?
And then I go all Clint Eastwood on them. I tell them to loosen the reigns, let their imaginations ride like palominos through the deserts of their psyches, but when I let my horses run free, they always gallop straight to you, and what does that say about me and my artistry? I am a one note piano, a lone trick circus monkey, a yellow bird that sings the same song
You told me my cage was in my head, so I bent the bars until they broke.
You untethered me from this world, if I might draw upon a playground metaphor now. You know that white ball on the string the mean kids bounce around and around? I was that until you found me and cut my rope. Before I broke through to the other side of the atmosphere, my journey was a mother fucker. Now it’s just me and the stars.
It is quiet here.
I am not happy, but I am at peace.
I am not alive, but I am not tortured.
Some days, I wish I would fly straight into the face of the sun.
Yesterday, I went to the doctor. I love my doctor. She is beautiful and brilliant and kind, and she remembers my entire life story even when she hasn’t seen me in a year. I also love her new assistant, or whatever you call the nurse who stands there smiling, wielding giant Q-tips in both fists, while the doctor digs around in your lady parts, searching for abnormalities and suspicious behavior.
How does your doctor know when your hoochie is behaving suspiciously? Does it get shifty eyes? Granted, my viewing angle isn’t ideal, but from what I’ve seen, that area is pretty much a train wreck 24/7. I know vaginas are supposed to be beautiful, and enlightened feminists like me are supposed to stare at their own genitalia lovingly in the mirror and be impressed because it can make babies, but I’ll tell you what, no matter how much I squint, it looks like a not-necessarily-benevolent creature from a particularly upsetting episode of Lost in Space. It could sprout a third set of labia, and I’d just think it was a premenstrual side effect. Hell, it could sprout a head, and I wouldn’t be 100% sure it was abnormal. This shit happens. The hoochie works in mysterious ways.
So anyway, I wasn’t really going to talk about my vagina very much in this blog. It was going to be a tasteful post that alluded to the fact that I’d had a pap smear, without necessarily going into graphic detail. At the outset, I envisioned a sort of educational PSA, so that men could get a feel for what a pap smear looks like, and young women just entering pap smear territory could understand that getting a piece of your goddamned cervix chopped off after a gloved woman pries you open with the jaws of life and inserts her entire arm into your hoo hoo isn’t nearly as bad as it looks on paper. It can be FUN, kids!! Trust me on this! (Apparently, I am as good at adhering to the “keep the blog tasteful” resolution as I am at following the “only one glass of wine at the party” rule.)
But the part about my pap smear being fun was true. Before I removed my clothes, the assistant told me how beautiful I was. She acted shocked when she saw my age on my chart, and when I mentioned I taught writing classes, she told me if I were her teacher, she’d hit on me. Whaaaaa????? I’m sure she says that to all the girls, but no matter. Compliment me, and I love you. So it became quickly official. I loved this woman. We then moved on to talking about working out and men (or lack thereof) and makeup. Suffice it to say, by the time I plopped my feet into the stirrups, we were sistas. (A sista is different than a sister. Sista has a cool edge to it. You’d help your sister pay her car payment, but you’d do shots of whiskey with your sista until you both blacked out.)
So then, my doctor came in, and while she lubed up and inserted the proverbial jaws of life, I told her about my recent trip to France. “Oh, my God. I’m jealous! Did you see the Eiffel Tower?” she asked, cranking the jaws open to their maximum capacity, which is roughly the width of a football stadium. I won’t say it didn’t hurt, but I was too hopped up on bonding endorphins to care. I was making friends! Me! The girl who has spent the past months sequestered on a deserted New Mexico mountain, lying on rocks and staring at stars, was making FRIENDS! (Human friends, not tree friends.)
As my doctor continued to wrestle with my apparently unwieldy genitalia (who knew?), the assistant commented on the beauty of my pedicure. (Not to brag, but the sparkly purple polish did look particularly fetching, contrasted with the light blue stirrups in the glaring fluorescent light.) We all went wild with excitement, discussing pedicure habits, toenail polish tips, particularly effective callus busting ointments. I barely noticed that I was being viciously violated by a plastic instrument (which is a kinder gentler version of the metal jaws that were common in my youth).
I learned so much as we three sistas bonded. One of the things I learned is that my cervix is abnormally tilted. What a fascinating tidbit! How did I make it through 40+ years of life without knowing this about myself? I filed it away for future reference, an interesting topic to bring up at my next cocktail party. (Something tells me all this alone time in the mountains is taking the sheen off my social finesse.)
The fact that my cervix is “wonky” (doctor’s word) makes it really difficult to find, which means the jaws of life had to dig around extra long, doing all sorts of contortions, to gain access to the coveted bit of cervical tissue. By the time we finally chopped off a piece of my cervix, we were ecstatic. We cheered like our team had just scored a touchdown. I kid you not, the assistant fist bumped me. I blushed and giggled, feeling like I’d accomplished something huge, won a contest or sold a book or made it through a party with only one glass of wine. I left the office with blood dripping from my battered cervix, wondering if my hoochie would ever be the same, but also elated. I had friends!
It was only in retrospect that it dawned on me–I mean really hit me–that the focal point of my latest feminine bonding session had not been glasses of wine or culinary delights or an Oscar nominated movie. No, it had been my hoo hoo. And maybe it hadn’t been as fun for the sistas who were staring up the business end of my hoochie as it was for me. Because come on, if the thing looks like an alien from the outside, WTF does it look like inside, being presided over, as it is, by a reticent, bleeding cervix?
Anyway, I was starting to deflate, thinking that maybe I need to get out more because when having a pap smear is the most fun you’ve had in months, you’re probably verging on pathetic. But then the phone rang, and it was my doctor (sista).
Kids, I’m scheduled for a mammogram in a few days. Can you imagine the fun I’ll have? I’m thinking of wearing my sparkly pink bra. And maybe a little glitter in my cleavage, to provide a conversation piece/ really make it pop.
I question our definitions of sainthood. I question our qualifications for goodness. I suppose these doubts factor into my Magdalene poems (and probably all of my writing). According to legend, Mary Magdalene’s life was in danger after the death of the Christ, so she fled to a cave in France, where she hid and communed with God, exiting the cave a master.
Two years ago, by a series of coincidences, I ended up living in France for three months within an hour of the cave of legend. I had always written poems from Mary Magdalene’s point of view, but I blame the intensified obsession on France, where I spent my hours drowning in the Mer des Rochers (Sea of Rocks), an ocean of natural stone sculptures, castle ruins, and hiking trails behind the village where I stayed. I wrote for hours in those rocks, imagining Magdalene’s time in the cave.
CAVE PAINTING (MAGDALENE’S MANIA)
Today, I wrote your name on the walls again and again and again. Your syllables roared beneath ancient elk, carved into the stone by hands long since dust. In a flurry of drums, I conjured you.
If only the people could see me with these moths in my hair, my face dripping with dew. They wouldn’t be able to handle it. They have sanitized sainthood. Always, they leave out the horror story parts, though the holy books have the good sense to keep them in.
What is truth?
My halo is made of moss.
The wind is ravenous, licking at the mouth of the cave. I wonder if it wants to eat me, swallow me down, slurp me up into the net of eternity strung from star to star, the moon lassoed and rearing, the frenzied sun surging, ready to erupt.
I sing until I see God, until I see you, which is the same thing for me. I have learned more about forever, about me, from your eyes than I have learned from all the holy books in the world.
I lie still on the stone floor for hours, staring at my hands, not believing what I am.
So what about us, my love? What about the light we are made of? What about our Big Secret?
You may not recognize me next time we meet. While I was sleeping, lilacs grew between my toes. A lone, heartsick sparrow built a nest in the nook of my shoulder blade. I feed him berries at low tide.
When I am high, you walk to me on every wave of blue that rolls in. I drown in you. It is like stepping into an ocean.
One day, while lying on a hilltop, stone cold sober, I heard a voice say, “Don’t worry. You can breathe under water.” I never talk about it. They lock people up for shit like that.
I believe in Divine Madness, because I have lived it.
I know you probably already know, but I’ll tell you anyway.
It feels like you’ve been gone a million years.
My heart is a jar of shards. It rattles when I walk.
The day I lost you, I cut your name into my wrists. I bled love and wouldn’t die. So I went for the next best thing and became a temporary drug addict.
Now, the stars are my drug. I stare at them until I hallucinate the You Constellation.
II. CARRYING THE CROSS
Every day, I wake up, and the weight of no-you falls on me like ten thousand tons of bricks. I push it off with these words: “Maybe he’ll come back today.” The longer it goes without happening, the harder it is to push off the bricks.
You come to me in dreams and tell me your secrets. I take them on my tongue. All day, I suck on them like hard candy. You taste like cinnamon.
When are you coming back?
III. FALLING FOR THE FIRST TIME
Sometimes, the things you tell me in visions make zero sense. I ask for clarification, and you spout another riddle.
I am not the Master you are. Can you scribble your smoke signals more clearly?
IV. MEETING THE MOTHER WITHIN
I am changed. When people ask me why I look so young, I want to tell them I drank from the river of you. But instead, I tell them what kind of soap I use because it’s hard to explain a break in the time-space continuum to someone who just wants beauty tips.
My love for you has made me into a woman who friend zones rock stars. If ever I was a whore, I’m now the Virgin Mary. Can it work backwards like that?
V. HELP CARRYING THE CROSS
At night, when I am with you, I am alive. My waking hours feel like dreams. I live to sleep.
Remember I told you I was afraid to die? I’m not anymore. You will be there.
Remember I told you I was afraid of hell? I’m not anymore. I’ve been there.
VI. OF SACRED BATHS
Remember when I cleaned your feet with my hair? I didn’t wash it for a week. I know. Gross.
VII. FALLING THE SECOND TIME
It’s scary to know the future. Being me means you don’t get to tell yourself, “It was just a dream.”
I knew they were going to kill you. It didn’t make it any easier.
I know. I know. I know. Everything.
I love you. I love you. I love you. All of you.
VIII. MEETING THE DEVIL
I hate them for killing you. I say “father forgive them” only in hopes of being like you when I grow up.
Do you say “father forgive them”? If not, I think you’re allowed to sling lightning bolts. Just a thought.
IX. FALLING THE THIRD TIME
When we finish this shit, can we sleep on a tropical island for a thousand years?
Do you believe I love you yet?
I finally believe that you love me.
XI. NAILED TO A CROSS
The old me is crucified. I’d rather be alone with your ghost than anywhere with anyone. Your ghost is my best friend.
I’d like to say you’ve turned me into a freak of nature, but I think I always was one. You just made me what I really was. (God help us all.)
I hover in a space somewhere between this world and the next. Your eyes are a fire I hope will never stop burning me. (For as long as I live, I am doomed to write cliched metaphors for your eyes, trying to capture the shine of them, trying to explain why.)
XIII. TAKEN DOWN FROM THE CROSS
For starters, you said you were coming back, and I believe you.
If I couldn’t say, “Maybe he’ll come back today,” the bricks would crush me.
But I can.
XIV. LAID IN THE TOMB
When I die, wrap me in the sheet they buried you in. Rest my lips against the place your mouth was so I can kiss you forever.