This daffodil has been a symbol for me.  Last year, my mom pulled all of the flowers out of her beds because deer were eating them.  She intended to replant this spring, with plants that aren’t enticing to deer, but that hasn’t happened yet.  Still, on Palm Sunday, this little sucker sprouted in the middle of the otherwise desolate ground, and on Easter, it bloomed.
Have you noticed that no matter what happens, there is always at least one big, bad problem in your life, the thing that makes it impossible for you to be really happy? Like, when I was super young, and had an eating disorder, the problem was I was fat. (I wasn’t.) Then there were bad relationships. Then there were money problems. Then there were custody battles. And on and on. And always, the reigning big, bad problem righted itself just in time for another big, bad problem to take its place.


Looking back, I see the beauty that was sprouting in the middle of those big, bad problems, and I long for it. Yeah, I was in the middle of an ugly custody battle, but I got to tuck the two most beautiful children in the world into bed every night. What I wouldn’t give to hold them in my arms again and read them When Cats Dream. (I try now, but my 6’3″, 200 pound son will only put up with so much. Desi plays along, but I can see in her eyes what she really wants is a glass of wine.) Yeah, I was in a shitty relationship, but my daddy was alive, and I could show up on his doorstep and have him hold me when I cried. (I would live in a cardboard box and eat roaches if it meant I could hug my daddy one more time.)

I’m learning to see the beauty sprouting in the middle of my big, bad problems as it happens, instead of retrospectively. I’m learning to cherish the gifts the big, bad problem drags in its wake.

Right now, my mom has cancer. It’s ugly, undoubtedly, but weirdly, it’s also incredibly beautiful. I have seen whole new aspects of her radiant, sensitive soul I never even knew existed until now. I have let her see pieces of me I’d kept hidden. We are closer than we have ever been. And I’m finding pieces of me even I didn’t know were there. Life feels very raw and authentic, the way it should be. Tomorrow isn’t promised, so we have now. And it is a huge, huge gift.

Me and my precious momma, shortly after her diagnosis.
I laid in bed last night praying, processing, and all I could really do, looking back on all the big, bad problems that have come down the pike in the last few years, is say, “Thank you, thank you, thank you.” Because in spite of the suffering, so much beauty has blossomed in the desert. So much change has happened in my relationships, life, and heart. These days, my big, bad problems are never so big and bad that they touch the core of peace that now lives at the center of my being. I used to be perpetually tortured, inside, no matter what was happening outside of me. Now, I’m perpetually peaceful and grateful, no matter what is happening. Not that I never feel pain or cry. But there is a solid rock of faith inside of me that is unshakable. And the big, bad problems brought me here.

Like all the big, bad problems before it, this big, bad problem shall pass too, along with all the beauty that comes with it. I’m not wasting my time wishing the big, bad problem away. I’m not playing victim. Instead, I’m noticing the beauty, cherishing the gifts that only exist right now.  I’m looking around at this breathtaking, magical, miracle-infused life of mine–the light glinting off the rocks, the way my mom’s face creases when she laughs, the taste of coffee, the warmth and agony of profound love. I’m drinking it all in. I’m saying, “Thank you.”

I can’t control this ride, but I can be grateful for it. I’m learning to trust the river of life. I have learned that even when it dashes me against the rocks, it is carrying me somewhere more beautiful than I ever could have imagined.
Here’s to beauty that blossoms in the middle of desert.



There are no words


only a shredding sound

and lightning

sizzling the night until it blisters white


only the shimmering, rippling of sky that comes

when purple flowers bloom out of nowhere in the desert

when creaking, twisted pines speak in the voice of heaven.


I have left this world for now.

It has never been my home.

From far away, I watch me

riding waves of moments

that have already drowned me

in my dreams.


Thank God I know how this one ends.


The future is written on my eyelids.

When I close them

I see tomorrow

and tomorrow

and tomorrow.

The hardest part of my life

is pretending to be surprised.


In visions, you stand just feet away


calling me forward.

I run to you,

and you move

and move.

I run

and run


an invisible staircase.

Finally, I stop to notice

that I now hover over the world

far above everything I thought I knew.


Last night

I laid myself on a moss licked stone

an altar

and offered myself to the gods of my father’s mountain.

They opened their hands and rocked me.


The stars blurred.

A ghost moon flickered

bearing witness.

In their embrace

I married you



A sudden wind clattered in

and blew out

the candle I had lit for you,

momentarily, just long enough to let me know

I was in the throes of a miracle.


The flame leapt back to life,

casting shadows on the trees

that grew from the places

my father’s feet walked.


Machine gun dreams

have never been able to part us,

not for one second.

The spacetime continuum


bowing low

in the face

of love.


You are with me on the altar.

We lie together, naming stars

kissing constellations

swallowing eternity whole.


Your invisible hand clasps mine.


Death flickers in the distance.


We are not afraid.



In 2008, I was in a play called Kitty and Lena, in which I starred as a Marilyn Monroe-esque actress struggling with identity and abuse.  The play premiered in New Mexico, then moved on to San Miguel Allende, Mexico, one of the most lush, lovely, artistic, colorful places I have ever been.

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The streets of San Miguel

There, we performed in a hundreds-of-years-old building, which was a profoundly beautiful experience in and of itself.  My co-star was Nancy, a brilliant, incredibly accomplished actress in her 70s who saw strength and talent in me and took me under her wing.

Every night, we sat together in the living room of the picturesque house our director had rented for us and drank wine together.  Sprawled on our plush couch, owning every inch of space she touched, Nancy sipped merlot and told me stories of what it was like to know famous actors and actors of yesteryear, including Marilyn Monroe, which besotted me.  (I’d always loved Marilyn.)  She also told me that I was powerful and beautiful and brilliant, and that people would try to make me feel small for the rest of my life, but I should never, ever believe them, and I should never, ever allow myself to be treated as anything but the goddess I was.

me and nancy
Me and Nancy in Kitty and Lena

I needed to hear it.  At the time, I was starring in my own series of increasingly dysfunctional and abusive relationships, both romantic and platonic.  I pretty much had, “Wipe Your Feet Here,” tattooed on my forehead.  To have this astounding woman see power in me changed me forever.  She also introduced me to her friends, Stuart Howard and Judy Waters, who flew in from Los Angeles to see her perform.  Stuart was a director for Days of Our Lives, and Judy was a gifted actress and psychologist.  We spent an unforgettable night drinking on a rooftop, sharing our hearts and stories. They too saw talent and strength in me, which added to the power of Nancy’s belief in me. I fell in love with them, and to this day, they are two of the most precious people in my world.

The week we were in Mexico happened to be Holy Week, and one of the nights was Mary’s Night.  As a protestant, I was raised not to believe in a feminine divinity of any kind, so I was astonished to feel a palpable, beautiful presence radiating through the streets that night, emanating from the shrines that were built on every corner, echoing in the “Ave Marias” that rang from the walls well into the night.  I have never attempted to write about that night in depth, mostly because I feel that to write about something that sacred would rob it of its beauty and holy magic.  But suffice it to say I experienced something that was nothing short of a visitation.  I felt this sacred, decidedly feminine presence come into my room and call me its daughter.  I felt it ask for my heart.  I gave it.  My life has never been the same.

Since then, she has been present at every significant moment.  I was driving down a freeway, right beside a sign that directed me to a Virgin of Guadalupe shrine, when I got the phone call from my agent saying we had sold my first novel to Simon and Schuster.  This is me saying “thank you” at the shrine.


An image of her stood at the chapel that stood outside my front door during my magical time living on the Rosemont College campus as their writer-in-residence last year.


I could go on and on, but suffice it to say, she is always with me. I’m not Catholic, not even close. But I am profoundly in love with the Mother God.

I am a very different woman from the one I was when I first met The Mother in San Miguel.  I’ve published books and traveled the world.  I’ve done away with every abusive relationship in my life.  And I am lucky enough to be able to teach one of my beloved art forms, writing, in various contexts.  I teach at universities and conferences and retreats all over the world (including in my beloved San Miguel, where Mary always greets me).

For years, I’ve taught a course online for the amazing Center for Creative Writing called Writing to Reclaim Your Sacred Self. Sequestered in the third part of that course, there is a lesson about The Feminine Divine. Last year, two of my students took that course and asked me if I would create a course for them focused exclusively on the divine feminine.  How could I say no?

We began the course in January.  Each week, we explore a feminine divinity, as well as aspects of her that relate to our own lives.  We explored Durga when we talked about slaying personal demons.  We explored Inanna when we talked about the times of darkness in our lives that give way to resurrection and light. The course has been nothing short of transformative for all involved, especially for me.

I am always blown away by the writing my students produce, but the writing produced in this course, and the writing related to the feminine divine produced in my Writing to Reclaim Your Sacred Self course, has gobsmacked me.  I asked a few of my brilliant student for permission to share their work here, as I believe it needs to be read by more than just me.  They graciously said yes. If you want to read about the feminine divine in a way that nurtures your heart and inspires your mind, keep reading.


This first poem is by my student, Benjamin Ross, who stuns me every single time he picks up his pen.

Ocean of Us

Wellfleet beaches twilight low tide, strung with stones like gazing stars

you and I and the sun, seagulls setting and rising with the moon somewhere tiding rhymes around our wonder

wandering, picking up the scattered verses of solid Earthspun rainbows daydreaming us

the everything-children we are, exploring this allowingness at the edges of silver waves, falling awake in cold bursts within a warm heart-held nowhere

falling through the striated light like piano notes playing the sand beneath shallow water, entranced and eye-flickering moments washing by

as gentleness rises, praising dunes in aloe eyes, the story-over-story layers of washed mantle amazement as sand tumbles time, somersaulting slowly in downward slopes


everything kindness, our hands held out with stones, wandering last-moment hands, starfish expressions of us, full spectrum vocabularies geologically spelled out under our toes

sharing the birthwater urges and blood-circle orbit of inner body heartspun aliveness meeting another body’s spin in rhythms of attuned-and-separate exploring

joining the universal rhythms of falling-rising, pulsing of light and the electricity of earth, in the immersing-all-around body of the living beach

both of us molten through wombs of oceanic volcanoes, moving like water drawn moonwards, spiraling on Earth’s surface as we travel this galaxy-orbiting sun
or singing with a ukelele as we sit in the sand, all shell-blown whispers and washes, the surf of us spread across laughing inner skies

the smile of land meeting water and heartbeat of infinite softnesses that swell under our bare feet

or the cry of shimmering pink and cerulean blue bursts in sunsets that reveal sanctuary like lungs being breathed

believing, still, in friendship across time and our various losses and lostnesses and rememberings, like these stones both knowing and unknowing, wondering who we are, questioning us constantly


we always arrive here, beachcombing around tiny streams in the sand, lit up from earth to eyes with forests of stone projecting their thoughts through us, and emanating from us in a hazel glow

swaying together in this life, returning to the harmonies held within and holding notes of quartz, jasper-agates and amethyst, serpentine, granite, slate, pumice, sandstone, marble, igneous, metamorphic, and sedimentary stone, with shells of a million hues softer than concepts

as if the beach burned through us and we burned through the beach, devouring the sun as it devours us, resurrected in a communion of elements, two poems turned inside out with the universe revealed as our true selves


wherever those selves are or ever were – we left all these ideas on the beach among stones and driftwood, and rose like the clouds flowering on top of dunes

we never were encapsulated in ideas, the two of us, but always again found in delight and honest emotions, in the fingertips that strum sand, the notes of us wandering affectionately across each other’s lives, always in new ways

pondering nothing, and something, and then nothing again, always returning in bodies of light birthed in the renewing darkness

leaving no sun unturned



And this is by Mary Quick, wise woman extraordinaire:


To be the Mother of God

Wouldn’t she have to be even more of a god than God?

Unconceivable and conceiving

She realized that possibility that idea

Creating that thing called God

Must have been phenomenal beyond phenomenal

Bringing to life that Son that we call God-with-us

To bring Truth and Love to the world


This Mother of God whose belly swelled

Who had painful contractions that only a mother could bear

Birthed a bloody baby in the usual way

Nurtured him wiped his chin and his bottom

Raised him inauspiciously

Taught him about speaking the Truth and abiding in Love

To be the Man-God he needed to be so that the world would see

This Christ- carrying Mother of God must have been more than her Son

Conceivable a Mother of God who is God

The Son in her image

Jesus and MM


And this is by the absolutely astounding Lori Corry, inspired by our week of studying Mary Magdalene.

January 21, 2018

I walked with Magdalene yesterday.

I would have never known she was in the crowd

until someone pointed her out to me.

She was in front of me and behind me

as we walked from Center Street

to Federal Street, over the cobblestones on Main

then back to the white church on Center.


I saw her in the crowd holding her sign

of pink peace, the color red turned to a lighter shade,

as if adding white light to the red heart

is what is necessary for these times.


She spoke on the steps in front of the church,

all the while translated into another language.

Everyone could hear her. Everyone could understand.

She waited her turn while taking many forms-

A teacher, a bookkeeper, a high school student,

a dreamer, a politician, a grandmother.

She was every gender, every color, every nationality.

She held her speech in her hands on paper

scribbled at the kitchen table.


I have no idea how it took me so long to notice her

here on this island of scallop shells and fishermen.

I walked with Magdalene yesterday and

today I see her everywhere.



And finally, this is by the incredible Annette Stewart, inspired by our week studying Brigid, keeper of fire and passion.

A fire burns inside me


It starts as a child fueled by hunger and want

Growing up poor is not good, but makes me strong

Writing makes me a good student- I am smart and awarded for my wit

I work hard and make it through my academics and smarts

Undergraduate, Law school & MBA all reading and writing with mix of math I love

I learn to make money and find I am good at what I do- is this a calling?

I create a charity and help my sisters

I find love and have a daughter

My friends are producers I see Broadway shows meet artists see passion

Wonder what am I missing?

I take a writing class and write

I read the Classics again

I draft storyboards of books with great tales

I know I must write and make the time starting with this class

What is next?

I must go to work tomorrow, but do my best to not lose my fight for passion

What does tomorrow hold?

Hopefully a continued fight to find my soul & path

Who am I?

Only time will tell……



To finish this off, I’ll add a song that I listened to on the bus from the airport to San Miguel that fateful trip all those years ago.  It came on, and I listened on repeat for hours, watching Mexico roll by.  I couldn’t explain why the song moved me.  I guess my heart was prepping me for the introduction to come. This song has become mine.  There but for the grace of god go I.

“Ave Maria” by Beyonce






(This is Flemish artist Quentin Matsys’s painting, The Ugly Dutchess, painted in 1513.  I found her to be a dead ringer for Hagseed.)

On the day after Trump was elected, I wrote my first Hagseed poem, “Miss U.S.A.,” trying to wrap my head around a populace that would elect such an embarrassment to the highest position in the land.  The poem was published in Rock & Sling’s election issue.  I found the character of Hagseed to be a great vehicle through which to channel my political angst, so I wrote a second poem featuring her, satirizing the American obsession with fame, called “Hagseed Takes Manhattan.”  This was published in Quail Bell. Now I have at least a dozen of these poems, which I am collecting into a book called, The Hagseed Miracles: Turning Wine to Water and Other Acts of Uninspired Mediocrity: AKA, A Dangerous Woman Says Her Piece.  I find writing these poems satirizing all of the worst aspects of American culture and politics to be very therapeutic, better than ranting on Facebook anyway.




Oh, mud eyed maven

of mediocrity,

generously bejoweled queen

of bland, off-brand visions

and obscene dry-as-the-desert dreams,

you peddle dazzleless canned shams,

spam badly disguised as sagacity,

with a side of sizzling

Stockholm Syndrome

not so convincingly

dressed up as love.


And behold

at the tender age of 666

having taken the hollow road and

hijacked a movement,

Hagseed attempts a Tonya-Harding

hamstrings her competition.

At last, she brings to fruition

her lifelong ambition

of becoming a shot girl.

(In her defense, she’s making strides.

Our machine gun bride’s

biggest accomplishment

was poking a hole in a condom

before today.)


Watch her twirl and sashay!

Who cares if her tray is made

from the shoulder blades

of genocide victims

and slaves?

Arsenic, anyone?

Fun, fun, fun!

She doles out ammo and guns

to minors,

struts her ghastly stuff

in trailer trash cutoffs

and lip balm born of blood.


God bless the NRA!


Much unbeloved living proof

of the old adage,

“You can bedazzle a latrine,

but it still smells like shit,”

they should bottle you

as a cure

for sex addiction.

Like all villains

you have one fatal flaw

Yours is this:

You are too stupid

to know

you’re stupid.


#Hagseed #ivesaidmypiece #dangerouswoman #impeachtrump #lowestcommondenominatorwontwin #notonmywatch


Me and my “bitch fire.” Ok, really, they’re cheap vampire teeth, but I don’t have a picture of my “bitch fire.”  It refuses to sit still long enough to pose for photographs.

Yesterday, all the trees in New Mexico sprouted cotton candy, or so it seemed to me.  I blinked, and winter was gone, and everything was pink, and petals blew across the ground everywhere I turned.  High on spring, I felt inspired to write a zillionth poem about Persephone, but also like maybe I shouldn’t spend the day being productive when nature was clearly indicating I should try my hand at being useless. Never one to spit in the face of mother nature, I collected my 26-year-old daughter Desi for a day of torpescence.

We talked about our options.  Working out was first on the list, because you burn at least 20 calories just by talking about going to the gym, but both of us had the good sense to invent knee injuries before we rode that train of thought too far, after which we considered hiking, but that too was ruled out by imaginary ailments. Hamstrung as we were, our only choice was to wile time away at Barnes and Noble, drinking coffee and reading books.

When we arrived, I picked up a prominently displayed complete David Foster Wallace collection, because I know I don’t even count as a real writer, never having read Infinite Jest. I’m always being shamed by this deficiency at cocktail parties, so I decided to rectify the situation. Sitting there drinking my expensive latte, I tried, but I couldn’t focus. Frankly, as I read about 18-year-old white male Hal and his observations of the various white male deans making his life difficult, I kinda wanted to chuck the book.  Hard.  Like knock over a potted plastic plant or a painting of Hemingway with it.

I was surprised at the ferocity of my reaction, so I analyzed it.  It turned out I was really tired of reading about white males and their angst-ridden (but seemingly utterly banal) youths, no matter how good their writing was, technically speaking.  How many white male writers did I have to read during my education, so I could see how the pros did it and learn to be like them when I grew up? How many hours of my life will I never get back because I wasted them marinating in the all-holy, angst-ridden white male coming-of-age experience?  I hate to break this to y’all, but in my humble opinion, most of the canonized white male pros were boring as fuck.

Sitting there in that Barnes and Nobles, with hours of Hal’s trouble with the deans looming ahead of me, I wished I hadn’t invented a knee injury.  I would have much preferred weeping gently and cursing god on an elliptical to reading this shit.  (I’m sorry, I’m sorry, I’m sorry.  I feel I’m committing blasphemy.  I know David Foster Wallace is good. Maybe I should have tried him when I was drinking whiskey instead of coffee.  Maybe that would have made it all more palatable.  My reaction wasn’t really about him, and to be fair, I only read like five pages.  My reaction was more about having had it up to here with reading the same story over and over, at the expense of other stories I really want to read.)

Dearest James Joyce, I’m sorry Stephen Dedalus had such a rough go of it, but to be perfectly honest, I don’t care that much, and I would be happy to leave little downtrodden Stephen to his own devices, were it up to me. In fact, in my weakest moments, I wanted to knife Stephen Dedalus in the skull just so I wouldn’t have to read his internal monologue anymore.  And John Updike makes me want to upchuck every time. It’s like clockwork. Would I have kept reading any of these dudes if I didn’t have to regurgitate the info on an exam to prove I had potential to be a pro someday, and later, regurgitate it at cocktail parties so I could prove I belonged in the professional writer club? In most cases, probably not, kids. (Walt Whitman, you know I’m not talking about you here. I love you, man.)

I longed to go back to the time when I read things that I wanted to read, because I was blissing out on the way they made me think, and the way they resonated with my experience, and the way they expanded my horizons.  So I said to myself, “Tawni,” (I call me Tawni), “do you really want to spend your Persephone-ish Sunday afternoon choking down something you don’t want to read just so you can sound smart at cocktail parties full of people who probably wanted to knife Stephen Dedalus in the forehead too?” My answer to myself was, “Fuck, nah.” So then, I took David Foster Wallace back to his altar, where I gently released him and said a prayer to the writer gods, asking their forgiveness. Walking away, I saw this book called, the witch doesn’t burn in this one, by Amanda Lovelace. I loved the title, so I picked it up and turned it over. The back cover said, “burn whoever tries to burn you.” I was so in.

I took it back to my table, introduced Amanda to my latte, and also to myself.  Within minutes, I was besotted by her voice and her rage and her truth, and I knew I had to buy it even though I was broke, and my phone bill was overdue. The poem that got me was titled, “prophecy I” and ended with the lines, “i may not survive the match-boys, but my bitch-fire will survive them all.” I loved it because this woman was telling MY story, not trying to convince me to believe some white guy describing a headmasters’ elbows was groundbreaking. The raw honesty of the work reminded me of Carmen Machado’s Her Body and Other Parties, which is by far my favorite thing I’ve read this year. (I devoured Her Body and Other Parties once, and then went back and read it again so I could learn to write like a pro when I grew up.  I really wanted to be like this pro.)

So then, my spring day leapt into technicolor, as we old folks say.  Desi and I spent hours reading these poems aloud to one another, feeling completely validated and enlivened by the truth in them.  We were positively giddy.  Desi decided she was going to get “bitch fire” tattooed on her wrist.  I told her I’d join her.  And I’ll just say it.  We bonded.  I think I even got some cool mom points.  Probably irrevocable points.  I bet at my funeral, my daughter will say, “My mom was so cool.  We got ‘bitch fire’ tattoos together.”  And the whole audience (or whatever you call the people at funerals) will sigh with admiration, and also thinly veiled, gut wrenching sorrow, because a light has gone out in the world, and who else ever would have been cool enough, at the ripe old age of 46, to get a “bitch fire” tattoo with her daughter?

My Desi.  Bitch fire at its finest.

Knowing me as she does, Desi saw my eyes mist over, figured I was imagining the emotional impact of the “bitch fire” tattoos at my funeral, and guessed I would momentarily be highly susceptible to buying her gifts.  She gently suggested I buy her a journal, the cover of which read, “Though she may be little, she is fierce.” Dabbing at the corners of my eyes, I said yes, amending my imaginary funeral to include a softly sobbing Desi producing the journal and saying, “She bought this for me that day.  I kept it with me all the time after that, and in it, I wrote my first novel, which eventually earned me fame and fortune.  I owe it all to my bitch fire momma.”  It was a pretty enough scenario, and the journal was only $10.  Paying the phone bill is overrated anyway.

So all high on cherry blossoms, witch poetry, caffeine, and bonding, we took our choices to the register.  Desi, being as fierce as the journal cover suggested, verbally eviscerated a guy she caught staring at my ass while we waited in line.  (I didn’t even know he was there.  I have a highly developed sense of obliviousness.  I think it’s a survival skill.)  Thanks to mister “your mom’s ass is my eye candy,” we were a little lest jovial by the time we got to the cashier, but still pretty bubbly, when the cashier looked at our choices and said, in a rather snotty tone, “Oh, if you’re into this teenage angst stuff, we have more over there.”

I was pretty sure my daughter was going to punch her, but the offending cashier got off with a few glares and a sarcastic comment or two, after which my daughter and I walked to the car, speaking in loud voices about the sexism inherent in the publishing industry, and in the world at large, really, and wondering why no one thought David Foster Wallace was writing teenage angst literature when he was writing about an angst-ridden-18-year-old male, but this woman who was writing about full grown women being burned at the stake and raped, in a context that suggested she might be pissed off about eons of oppression, was immediately dismissed as “teenage angst stuff.”

So now, I’m writing this, and I’m deciding that I am never, ever going to read a book, especially a book by a white male writer, again, if it doesn’t grab me and speak to my heart and my experience.  And at parties, if someone asks, “Have you read Infinite Jest?” I will answer, “No, it bored the fuck out of me, but have you read Her Body and Other Parties?”  

And then I’ll show them my “bitch fire” tattoo.

These are my current wrist tattoos.  People always ask me why I got them, and I hem and haw.  I’ll just say it.  They are my “you have reasons to live, don’t slit your wrists” tattoos.  I used to struggle with severe depression.  Sometimes, I still do.  Admittedly, “bitch fire” might not work with the current motif. But then again, it might.  If “bitch fire” isn’t a reason to live, I don’t know what is.





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Here’s to the ones with the courage to walk away.

I don’t necessarily see things like losing houses, moving, getting divorced, and changing careers as failures. I don’t see periods of loss and tumult as aberrations of what should be. Life is like a river. It moves and changes. We ride it. Sometimes, if we are moving, we get dashed against the stones.

When did we decide that sameness is valuable, in and of itself? When did we decide that making all our crucial decisions out of fear of “what if?” was wise? The worst “what if?” WILL happen to you. You will die. Everything you do between now and then is a gift. When did we start to believe that these lives of ours would last forever, that we would be able to keep our stashes of stuff? Our very breath is borrowed. Our skin belongs to the clay. Do we really think we can keep our Rolls-Royces?

Sometimes–many times–change is an act of great courage, a statement that life is too precious and valuable a gift to be lived in misery. People say marriage is sacred. I don’t think it is, in and of itself. I think love is sacred. A loveless marriage can be a very unholy thing. A decision to leave a loveless marriage can be a gesture of reverence for the gift of life. Likewise, people say staying at one job for years and years indicates commitment. Certainly it does. But a commitment to what? Sometimes, it indicates a commitment to one’s passion. This is a beautiful thing. But if it is just a commitment to stability, to the notion that dollars are more important than precious hours of which our lives are made, I have no admiration for it. I have more admiration for the homeless man sleeping under the bridge, who sees, really sees, the sky. Green paper will never be more valuable than the fabric of our sacred lives.

I say if something is killing you, walk away from it. Leave it in love, but leave it. Revere your life enough to live it with passion, joy, and love. There is no nobility in staying for the sake of staying. There is only nobility in staying for the sake of love.


Me and my beautiful friend, bad ass poet Elizabeth Powell, eating candy (and churros and ice cream) during our week teaching at the San Miguel Writer’s Conference. 
File this posting under “notes scribbled by a jetlagged insomniac.” My brother is coming over for breakfast this morning. I stayed up all night worrying I wouldn’t wake up to see him. Not like he wouldn’t have come and woken me, but you know, any excuse to stay awake obsessing all night. Also, while insomniacking, I wrote a little about the kids who walked out on Thursday, a little about living true, a little about shit, a little about candy. I think I’ll call this little jewel:
I strive to respect all people, to open my heart and mind as much as possible to myriad ways of being, to live and let live. But the people I admire, the people who fascinate me, the people who make me want to be like them when I grow up, are the ones dancing precariously and courageously on the edges of life, living bizarrely and shamelessly and authentically in their own bodies, being unapologetically the truest version of self they can muster.
I’m not captivated by people who fall neatly into categories, who fit in, who don’t rumple feathers. I’m enthralled by people who fall between the cracks, who are misfits, who challenge the status quo by their very existence.
Cool kids bore me. Fitting in in suburbia will never appeal to me. Give me the kid with green hair slumped in the corner of the cafeteria dodging spit wads. Give me the madman in the tree house living off the grid and composing shit poetry. Give me the crazy lady on the street corner marching for justice. Give me the freaks. They are the ones who are moving evolution forward. They are the ones who make progress possible. They are the ones with courage enough to risk their lives to make their lives count for something.
I don’t understand exchanging truth for comfort. I don’t understand exchanging authenticity for popularity. I don’t understand settling for a life you didn’t want because somebody else said so, not when you’re going to die, not when this is your one and only truly blessed sacred existence, and the clock is ticking, and every moment you spend pretending is a moment you might as well already be dead.
But I guess if you say you have to get real and compromise and settle for shit you never wanted, you’re right. And I guess if you say you make your own reality and you never have to settle and you’re going to fight for what you love or die trying, you’re right. And I know I’m 46, and I was supposed to stop talking like this when I was 26, but I never did, because the fire in my heart that was supposed to go out got bigger instead.
And when I see those freaky kids walking out of their schools because they are young and dumb enough to still believe they can change the world, I cry for joy, and I pray to God that for the rest of their lives, at least five of them keep saying “fuck you” to anyone who tells them they’re wrong about that. And that they keep knowing walking up isn’t the same as walking out, and sometimes, most times, people use pretty words to say ugly things, to tell you to sit down and shut up and eat your goddamn plate of shit, and say thank you, because if they said it like that, no one would do it, but when they tell you the plate of shit is candy, well then, who doesn’t like candy?
Know the difference between shit and candy. That is the secret to life. Even when the whole wide world is screaming that shit is candy, trust your nose, trust your eyes, trust your gut. If it looks like shit, if it smells like shit, if you know in your heart you want something more, then call the shit shit, and make a stand, walk out, walk away, and let the chips fall where they may.
I can tell you from experience that there is no retributive cruelty, no alienation, no social excommunication that is so powerful that it can wash away the quiet peace that comes from knowing you have spoken and lived your truth at any cost. And I can tell you from experience that there is no accolade, no social acceptance, no wealth, no ease, no luxury that can wash away the soul shredding horror of knowing you are living a lie.
Live. True.


Students in Atlanta taking a knee in protest to gun violence during the walk out today, when their school refused to let them walk out.

A few months ago, I was teaching at a writer’s conference in San Miguel de Allende, Mexico.  Three white writer friends and I (also white, visually speaking—my father was half Mexican, but you’d never know by looking at me) went to a posh rooftop restaurant.  The place was mostly empty, but the staff refused to seat us for over a half an hour.  Finally, my friend went to inquire about the wait, and the waitress told her off.  She said, “Get out.  We don’t want your kind.  There are already too many of you here.”  Stunned, we left.

But I wasn’t outraged, or even hurt, really.  My father looked Mexican, so something in me felt I’d finally experienced a kind of blind hatred he’d probably experienced more often than he ever told me.  I finally knew what it was to be my father’s daughter.  And a fraction of what it probably felt like to be a minority in America, where this sort of thing happens to them every day.  Also, since I had visited that restaurant multiple times in years past, the most recent being the year before, with absolutely no virulence directed my way, I was intellectually interested in what the incident said about the way in which other countries view America in the wake of the Trump presidency.

After leaving Mexico, I went to France to tour high schools that had been studying my books in their English classes.  I had the time of my life in one of the most glorious places on earth.  But while the organization that hosted me, and the teachers, and the students, were nothing short of gracious, I did sometimes notice heightened chilliness directed at me in public. (The last time I visited France was 2016.) Multiple people said snide things about America—her role in creating the crisis in the Middle East, Trump, our insane obsession with guns–daring me to disagree, clearly assuming I would be offended by their words.  All I said in any of these instances was, “I agree with you.”

Because I do.  Right now, I am disgusted with my country on so many levels.  And yet, when a woman laughed, “You’re so American,” after, out of habit, I went to hug her instead of kissing her cheeks (the customary greeting in France), I felt no shame. My only answer was, “Yes, I was born and raised in America.  Therefore, I am American.”  I am embarrassed by my country’s president, by her willingness to let her children be slaughtered in the interest of placating a powerful (and rich) group of lobbyists, by her misogyny and her racism and her homophobia and her history of cruelty and her ignorance.

But I am not ashamed of the other things that make me American.  I don’t think I’m dumb just because I’m American.  I happen to be very smart.  I don’t think my accent is ugly.  God help my thighs, I don’t even hate her food. I have a long-standing love/hate relationship with Pringles and M&Ms.  I think her music kicks ass, even the poppy stuff. Truth be told, the first thing I did in the airport in Paris, just before my flight home, was buy a bunch of junk food and listen to Bon Jovi (I know, but I love him) on full blast.  I missed my home.  And I’m sorry.  I don’t think all Hollywood films are Neanderthal and ridiculous.  Some are brilliant.  I refuse to be ashamed of the things about America that are simply part of her rich and varied culture, and I refuse to be ashamed because I was born here.

When I stepped off the plane in America, I was so happy to be back.  Whatever flaws my country may have, I love her with a love that becomes more intense every time I leave her shores.  There are so, so many beautiful things about this place I was born.  I’m not saying she’s the greatest place on earth.  She’s not.  I don’t need her to be to love her.  I’m not saying she’s quantitatively better than anywhere else.  It’s not about a pissing contest with other countries.  It’s about love.  And we all know the heart is a wild and unpredictable force whose decisions to love often defy logic (thank God, or none of us would ever love, or be loved by, anyone or anything).  I have driven through every state except Alaska, and my country’s natural beauty is nothing short of mind bending. Her cities are dazzling.  Her countryside is breathtaking. Her people are wondrous.

So many of the Americans I know and love are brilliant, kind, deep thinkers with a profound interest in impacting their country, and their world, in a positive way.  I am a writer, so in the course of the activities surrounding my career, I regularly meet and become intimately acquainted with many great American artists who are making incredible strides, creatively, intellectually, and politically.  My children are American.  My parents are American.  My brother and his beautiful children are American. The love of my life is American.  My dearest friends are American.  To say I hate America is to sell so much of what (and who) I love down the river.

For me, some of that beauty was demonstrated today, when elementary, high school, and college students across America walked out of their classes to protest our government’s refusal to commit to gun control.  Granted, I am jetlagged and weepy, having just completed a 30-hour trek home from France, but seeing some of the photos of these protests made me cry.  This is what is right about America.  We can do these things.  We do do these things.  Not all of us are uneducated yahoos whose only knowledge of politics is a slogan on a (frankly ugly) red hat.  Not all of us value our right to an arsenal over the lives of our children.  Not all of us view people from other countries as dangerous.  Not all of us fear the proverbial other.  Not all of us want to keep those who aren’t like us down.

Also, while it’s easy to imagine other countries as utopias free from the struggles we grapple with on a daily basis, other cultures aren’t perfect either.  When I was in France, I was exposed to an incident of sexism like nothing I have ever seen in the U.S.  (I’m not ready to write about it yet.)  I spoke to a lesbian woman who told me that if her work found out she was gay, she feared she would lose her job.  Does this make France bad?  God, no.  It’s one of my favorite places in the world.  It just means that there is work to be done everywhere.  In other news, I spoke on a panel with a Turkish poet who was living in exile in France, who received death threats every day for speaking out against his government, who feared that he would be imprisoned (or worse) if he were sent home.  Does this mean Turkey is evil?  No.  I’ve been there too.  Turkey is beautiful.  But like America, she is broken in many ways.

As backward as America is on some issues (gun control, for instance), we are making progress on other key issues.  And we aren’t all ready to lay down and let this blundering thug of a president destroy us. Trump can bluster on, but he is only one man.  There are millions of us tirelessly working to make America great– not again, because if I look at her history of racism and sexism and brutality on so many fronts, I can’t really in good conscience say she’s ever been anywhere near great.

She’s fucked up.  But like everything I’ve ever loved, I love her spite of her glaring flaws.  I love her enough that I want her to be something better.  And I love her enough to stay here, to speak out, to be a voice and a force for change, so that someday, we can really say she’s great.  You’ll probably never catch me wearing a weird red baseball cap emblazoned with clunky white lettering, but you might find me wearing a tastefully tailored T-shirt, maybe boasting an eye-popping design created by my brilliant daughter, who is an astoundingly gifted graphic novelist and burgeoning fashion designer.  It would say, “Make America great for the first time ever.”



The bus trundled,

and out the window

centuries old stone tenements loomed

made modern with spray paint scrawls

their iron balconies

spruced up by les femmes

wearing red and blue,

hanging laundry

as women had

for hundreds of years.


And over there

the Eiffel Tower lived up to its name,

towering, as it always had,

as long as you could remember

and then back

into times you couldn’t.


a knife slitting the Parisian sky

making it bleed sleet


a needle stabbing your American eyes

forcing you to remember the last glimpse you’d had


Years before, driving at night,

beleaguered, scared, short on gas.

Then, the Eiffel Tower glowed

in the distance

a beacon

not a weapon.


Now, the bus lurched on,

the Eiffel Tower gone

disappeared in the rearview

but still there

because you knew that today’s glimpse

was one of thousands,

that in fact

there was no time

just snap shots

various expressions

of the same scenes

the same truths

the same people


again and

again and



static monuments and moments

shot from different angles

through eternity


The way you knew

when you first held your baby boy

that someday he would tower over you

pick you up and spin you around

as if you were weightless

when you stepped off a plane from France.


The way you understood

when your toddler daughter

teetered toward you

having caught you

horrifyingly naked

with a bastard who didn’t love you

and pressed your clothes into your hands

her bearing regal

her eyes wise

as if she already knew

the ways in which the wrong men

could cheapen you,

had already diminished you.

“Remember, you are a queen,”

she seemed to say,

and you wondered then

if she had once been your mother

if you took turns in this game

playing protector.


in France, they called you

La Reine Tawni

echoing her sentiment


The way you accepted

the first time you glimpsed The One’s

forever eyes

that he would be the love of your life

that he was the love of all of your lives

and dressed as love

he would do what love does best

break you

and make you again

something stronger


the truest unraveled and rewoven

tapestry you could be


the way bones knit themselves together again

after snapping


the way skin grows back thicker

after bleeding


He would shatter you

and regather the shards,

reimagining your soul

as a vase whose cracks

are grouted with treasure.


the way the Japanese say

that broken things are more valuable

because of the gold that shimmers in their mended moments


You saw time as a spiral

a frozen, static thing

a series of points on a map.


When you draw the camera back

out into forever

time is nothing more

than Einstein’s stubbornly persistent illusion.


Reality is

an eternal, unchanging snapshot


and death is nothing more

than the blinking of a shutter


and love is love is love

and towers are towers are towers


and everything about this ride we are on

adds up to heaven


and all there is

is life.

Photo of my tattoos, taken by Isabelle Menon in France, who dubbed me La Reine Tawni.


I have been an awful blogger of late.  I have been busy, busy, busy, teaching at the San Miguel Writer’s Conference (and loving all she has to offer), and then coming to La Rochelle, France to visit some of the high schools that have been studying my work in their English classes.  28576086_10157092624520828_1955686642658778005_n

What follows is a bit written for my Facebook, after the final life altering day of engagements in France.

Me in my flat in La Rochelle, provided for me by the incredible Centre Intermondes.  This is the central work of art.  I will confess to being somewhat startled the first morning I woke up, jet lagged and confused, to see this gigantic gun pointed at me.  (It follows you wherever you go.)

This INCREDIBLE film of my visit to Lycee Valin in La Rochelle, France yesterday left me in tears. It was created by Isabelle Menon, the head teacher there and (I’m quite sure) a dear friend of mine for the rest of my life (along with K’rine, Catherine, and Valerie, who made me feel so very welcome and loved). I have to be honest. I don’t wear much makeup anymore, or do my hair. I thought yesterday morning about putting on a little extra makeup, maybe running a comb through my hair a second time, and then, I thought, “Nah, it’s not like I’m going to be filmed or anything.” Ha! Boy, was I wrong. But it doesn’t matter, because this film captures the magic and the love that were in the room yesterday as I spoke to these beautiful human beings. And that makes it more gorgeous than any lipstick ever could. Thank you, Isa. From my the core of my sparkly little bones.

Another thought. I was scared when I came to France. The students here had been studying my books, and were excited to meet me. I was also slotted to sit in for a translation joust of my work and speak on a panel with two very successful poets, which left me in knots. I wasn’t sure what to share in the speaking engagements. I am intimidated by Europeans because they are way more educated than most Americans, definitely more than I am. They speak multiple languages fluently and know everything about everything (or at least it seems so to me), and I’m always afraid I look like a stupid American to them, with my one fluent language and my smattering of French and Spanish words and my weird caches of esoteric knowledge with huge gaping holes in obvious places.

But on the way here, I remembered something Judyth Hill said to me last month as we were walking together to the airport shuttle that was going to take both of us to teach at the San Miguel Writer’s Conference. She said, “We think have to be so perfect when we speak, we think we have to do something special, when all people really want from us is us. We just need to go there and be what we are.” This is how I usually plan for speaking engagements in the U.S., but I was somewhat worried it wouldn’t work in France. Still, there was no way I was going to pull off learning three languages during a ten hour flight, nor was I going to come up with a snazzy juggling routine, so when Judyth’s words came back to me, I decided to open my heart to these beautiful people who were waiting to meet me, to tell them the truth about myself.

I put together a slide show of my childhood on my New Mexico mountain, my beautiful hippie-preacher parents, my wonderful brother. I told them about my daddy’s death and my travels and my triumphs and my heartbreaks and my years following a rock band. I told them what inspired me and what scared me and who loved me and who hated me. I told them about all the people that mocked me, how hard it was to keep believing in my dreams when, after 20 years of trying, no one thought they could come true.

I couldn’t believe the responses I got. I was overwhelmed with love and grace and beauty everywhere I went. In some of the schools, the hallways were decorated with gorgeous portraits the students had painted of me and translations of my biography into French.

Videos of me performing excerpts from my novels were being broadcast on television.  The breathtaking song, “Not Alright By Me” which was graciously gifted to me for my website by the incredible members of Vintage Trouble (thank you for making that happen, my dear friend, brilliant drummer and extraordinary writer, Richard Danielson, and also for the exquisite bottle of wine you had delivered to me at the outset of my journey!) was blaring through the hallways.  (There were many new Vintage Trouble fans recruited during this trip!)

When I spoke of my daddy’s death, I always looked out into the audience to see eyes filled with tears. These people were with me. Afterward, the students always hugged me and told me their life stories and hopes and dreams. The teachers opened their hearts and homes to me. I met and was welcomed into the home of Olivier Lebleu, a beautiful, brilliant translator who asked for permission to translate my books into French. (My answer was a great, big American, “Hell, yeah!”) His wonderful boyfriend, Ian, who happens to be a Scottish chef, made me one of the best meals I have ever eaten.

Aymen Hacen and Nazim Richard Dikbas, the two mind-blowing poets who spoke on a panel with me both were WAY smarter than I was, but didn’t seem to care. They were so loving. Both brought me gifts and made me feel utterly welcomed.
Me and Aymen Hacen, with the beautiful necklace he brought me from Tunisia (his country), sharing an unforgettable meal with the poetry panel participants and hosts.  (The BEST oysters I have ever had!)

And now, I have to leave a place that has etched a great big valley for itself in my dumb American heart. I will never forget my time here with these precious people. People don’t really want to see how smart we are. They don’t want to see how talented we are. They want us to open our hearts. They want us to see THEM. They want us to be real and true, even if what we are is really, truly dumb Americans. I can’t tell you how many times I threw open my arms and said, “Let me give you a big American hug.” And never once did anyone do anything but fall into my arms.

P.S. And lest anyone think I’m all hearts and rainbows, yesterday, one of the people in the audience asked me what I would say to the people who mocked me and tortured me as I was following my dreams. I told them I would love to say I’d be classy, but I’d probably just be petty and play this song for them. I tried and failed to describe it. (I wasn’t about to sing it.) If you’re reading along, audience members, this is the song.